Native to Minneapolis, Berit Ahlgren gained her foundational dance training from Minnesota Dance Theater and received a BFA in Dance from St. Olaf College, where she also studied biomedical studies. Ahlgren was a founding member of TU Dance under the artistic directorship of Toni Pierce-Sands and Uri Sands, and performed with the company between the years of 2006—2015. Receiving Minneapolis Regional Arts Council’s Next Step Grant in 2011, Ahlgren had the opportunity to study the Gaga Movement Language in Tel Aviv, and moved to Israel to pursue a teacher certification between 2011-2012. Upon return to the U.S., she established a Gaga community in the Twin Cities, and began offering Gaga/dancer and Gaga/people classes regularly in both Minneapolis and St. Paul. Ahlgren moved to New York City in 2014 and obtained her MFA in Dance from NYU/Tisch School of the Arts in 2016. During her two years in New York, she taught weekly at both Gibney Dance Center and Mark Morris Dance Center. Returning to Minnesota fall of 2016, Ahlgren is currently on faculty at both the University of Minnesota Twin Cities, performing with Black Label Movement, and freelance choreographing. Alongside her dance career, Ahlgren has been a pilates instructor since 2006, working at various locations in Minnesota and abroad.

Contemporary ballet dancer and choreographer Penelope Freeh creates works that explore the ballet idiom even as they diverge from it. Based in Saint Paul, MN, she is a McKnight Fellow for Choreographers and SAGE awardee for Outstanding Performer. Her work is in the repertoires of James Sewell Ballet, Minnesota Ballet and Gem City Ballet among others. She receives commissions and residencies from performing arts high schools, universities and regional companies; she works with chamber-sized opera and musical theater groups; she self-produces and seeks presenters for her personal works.

Penelope danced for James Sewell Ballet for seventeen years, serving as Artistic Associate from 2007 – 11. She teaches at the University of MN, Zenon Dance School and TU Dance. 

Gabrielle Lamb, winner of a Princess Grace Award for Choreography, is based in New York City, where she directs her own company, Pigeonwing Dance. Most recently, Lamb was selected Grand Prize Winner of the S&R Foundation's Washington Award. Her work has been presented by the Royal Winnipeg Ballet, BalletX (Philadelphia), Whim W’him (Seattle), Ballet Collective (NYC), Dark Circles (Dallas), Sacramento Ballet, Milwaukee Ballet, Ballet Austin, Ballet Memphis, Jacob’s Pillow, Hubbard Street 2, Dance Theatre of Harlem, SUNY Purchase Conservatory, SALT Contemporary Dance (Utah), and Dance on Camera at Lincoln Center. She has won choreographic competitions at Hubbard Street Dance Chicago, Milwaukee Ballet, and Western Michigan University, as well as the Banff Centre's Clifford E. Lee Award and a New York City Center Choreography Fellowship. Lamb was a former soloist of Les Grands Ballets Canadiens de Montreal and company member of Christopher Wheeldon's Morphoses in New York City.

Born and raised in St Paul, MN Kerry has been a company member of Pacific Northwest Ballet, Vienna State Opera Ballet, and Ballet of the Dolls. Kerry spent her early years studying with Jo Savino, Janet Smith, Frank Bourman, Bonnie Mathis, Lirena Branitski, Sylvia Bolton, David Voss, and Loyce Houlton. She also spent time studying at Milwaukee Ballet School, School of American Ballet, and Pacific Northwest Ballet School. Kerry brings nearly twenty years of teaching experience, and an extensive knowledge of ballet, to students of all ages. She also teaches the Gyrotonic Expansion System at Embody Minneapolis.

Eve is a dance performer and instructor based in Minneapolis, MN. She grew up training in ballet and modern at Minnesota Dance Theatre, and transitioned to company member in 2007. In 2009, she joined James Sewell Ballet. She also frequently collaborates with Live Action Set, most recently co-directing Unset, a project that invited untrained audience participants on stage to co-create an improvised, movement-based piece with an ensemble of trained dancers. Some of her more memorable performances include roles in Glenn Tetley’s Mythical Hunters; Loyce Houlton’s Sacre du Printemps and Carmina Burana; Leralee Whittle’s Displacement Activity; and Sharon Eyal & Gai Behar’s Killer Pig. In the summertime, she teaches at Blue Lake Fine Arts Camp (MI), and has twice served as co-director for their International Ballet Ensemble, which had her teaching and showing work with American dance students in France, Germany, and Denmark. She has been teaching various forms of dance for over a decade and often leads workshops and master classes as part of JSB's residency activities. Her choreographic feat, Any Offered None (premiered in JSB's Ballet Works Project 2016), was nominated for a MN Sage Award for Outstanding Performance. Eve also holds a B.A. in English from the University of Minnesota.

A Minneapolis native, Mr. Sewell moved to New York and studied at the School of American Ballet with David Howard, and began performing with ABT II. He was a lead dancer with Feld Ballets/NY for six years and has performed as a guest artist with the New York City Ballet, Zvi Gottheiner and Dancers, and Denishawn. He has choreographed more than 70 ballets for companies in the United States and around the world. Projects include the New York City Ballet’s Choreographic Institute, the New York State Council on the Arts grant to create “Independence In Dependence” for Feld Ballets/NY; “Aida” (1998) for the Minnesota Opera and 11 other opera companies; James Sewell Ballet’s “Amahl and the Night Visitors” (1995); “Musical Toys” (1996) and “Nutcracker: The Untold Story” (1997) for the Minnesota Orchestra; and “She Loves Me” (2005) and “1776” (2007) for the Guthrie Theater.

Occasionally, JSB company members will teach class. Click HERE </a href="https:>to read their bios.